| 楽曲名 |
アーティスト名 |
アルバム名・製品コード |
許諾元 |
| Piano Sonata No.29, in B-Flat Major, Op.106, ILB 190: III. Adagio sostenuto |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Piano Sonata No.32, in C Minor, Op.111, ILB 193: I. Maestoso - Allegro con brio ed appassionato |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Piano Sonata No.24, in F-Sharp Major, Op.78 No.1, ILB 185: II. Allegro vivace |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Piano Sonata No.28, in A Major, Op.101, ILB 189: II. Lebhaft. Marschmäßig. Vivace alla marcia |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Symphony No.5, in C Minor, Op.67, ILB 276: III. Scherzo. Allegro - Trio |
Berliner Philharmoniker, Wilhelm Furtwängler |
BEETHOVEN: SYMPHONY No.5; No.7, CORIOLANUS OUVERTURE
|
Nar Classical |
| Coriolanus Ouverture, in C Minor, Op.62, ILB 48 |
Berliner Philharmoniker, Wilhelm Furtwängler |
BEETHOVEN: SYMPHONY No.5; No.7, CORIOLANUS OUVERTURE
|
Nar Classical |
| Symphony No.5, in C Minor, Op.67, ILB 276: I. Allegro con brio |
Berliner Philharmoniker, Wilhelm Furtwängler |
BEETHOVEN: SYMPHONY No.5; No.7, CORIOLANUS OUVERTURE
|
Nar Classical |
| Piano Sonata No.29, in B-Flat Major, Op.106, ILB 190: I. Allegro |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Piano Sonata No.29, in B-Flat Major, Op.106, ILB 190: II. Scherzo. Assai vivace |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Piano Sonata No.26, in E-Flat Major, Op.81a, ILB 187: I. Das Lebewohl. Adagio - Allegro |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Ein deutsches Requiem, in F Major, Op.45, IJB 28: III. Herr, lehre doch mich.Andante moderato, Fugue |
Concertgebouw Orchestra, Willem Mengelberg, Amsterdam Toonkunst Choir, Max Kloos |
BRAHMS: EIN DEUTSCHES REQUIEM "A GERMAN REQUIEM"
|
Nar Classical |
| Ein deutsches Requiem, in F Major, Op.45, IJB 28: VII. Selig sind die Toten. Feierlich |
Concertgebouw Orchestra, Willem Mengelberg, Amsterdam Toonkunst Choir |
BRAHMS: EIN DEUTSCHES REQUIEM "A GERMAN REQUIEM"
|
Nar Classical |
| Piano Concerto No.2 in B-Flat Major, Op.83, IJB 83: II. Allegro appassionato |
NBC Symphony Orchestra, Arturo Toscanini, Vladimir Horowitz |
BRAHMS: PIANO CONCERTO No.2; TCHAIKOVSKY: PIANO CONCERTO No.1
|
Nar Classical |
| Piano Concerto No.1 in B-Flat Minor, Op.23, IPT 74: III. Allegro con fuoco |
NBC Symphony Orchestra, Arturo Toscanini, Vladimir Horowitz |
BRAHMS: PIANO CONCERTO No.2; TCHAIKOVSKY: PIANO CONCERTO No.1
|
Nar Classical |
| Piano Sonata No.29, in B-Flat Major, Op.106, ILB 190: IV. Introduzione. Largo - Fuga. Allegro risoluto |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Ein deutsches Requiem, in F Major, Op.45, IJB 28: II. Denn alles Fleisch es ist wie Gras.Langsam, marschmäßig |
Concertgebouw Orchestra, Willem Mengelberg, Amsterdam Toonkunst Choir |
BRAHMS: EIN DEUTSCHES REQUIEM "A GERMAN REQUIEM"
|
Nar Classical |
| Symphony No.6 in B Minor, Op.74, IPT 132: III. Allegro molto vivace |
Leningrad Philharmonic Orchestra, Yevgeny Mravinsky |
TCHAIKOVSKY: FRANCESCA DA RIMINI, SYMPHONY No.6 "PATÉTIQUE"
|
Nar Classical |
| Piano Concerto No.2 in B-Flat Major, Op.83, IJB 83: IV. Allegretto grazioso |
NBC Symphony Orchestra, Arturo Toscanini, Vladimir Horowitz |
BRAHMS: PIANO CONCERTO No.2; TCHAIKOVSKY: PIANO CONCERTO No.1
|
Nar Classical |
| Piano Sonata No.16, in G Major, Op.31 No.1, ILB 177: I. Allegro vivace |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Symphony No.5, in C Minor, Op.67, ILB 276: II. Andante con moto |
Berliner Philharmoniker, Wilhelm Furtwängler |
BEETHOVEN: SYMPHONY No.5; No.7, CORIOLANUS OUVERTURE
|
Nar Classical |
| Piano Sonata No.25, in G Major, Op.79, ILB 186: III. Vivace |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Symphony No.6 in B Minor, Op.74, IPT 132: II. Allegro con grazia |
Leningrad Philharmonic Orchestra, Yevgeny Mravinsky |
TCHAIKOVSKY: FRANCESCA DA RIMINI, SYMPHONY No.6 "PATÉTIQUE"
|
Nar Classical |
| Symphony No.6 in B Minor, Op.74, IPT 132: IV. Adagio lamentoso |
Leningrad Philharmonic Orchestra, Yevgeny Mravinsky |
TCHAIKOVSKY: FRANCESCA DA RIMINI, SYMPHONY No.6 "PATÉTIQUE"
|
Nar Classical |
| Piano Concerto No.1 in B-Flat Minor, Op.23, IPT 74: I. Andante non troppo e molto maestoso |
NBC Symphony Orchestra, Arturo Toscanini, Vladimir Horowitz |
BRAHMS: PIANO CONCERTO No.2; TCHAIKOVSKY: PIANO CONCERTO No.1
|
Nar Classical |
| Piano Sonata No.16, in G Major, Op.31 No.1, ILB 177: III. Rondo. Allegretto |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Symphony No.7, in A Major, Op.92, ILB 278: I. Poco sostenuto - Vivace |
Berliner Philharmoniker, Wilhelm Furtwängler |
BEETHOVEN: SYMPHONY No.5; No.7, CORIOLANUS OUVERTURE
|
Nar Classical |
| Piano Sonata No.26, in E-Flat Major, Op.81a, ILB 187: II. Abwesenheit. Andante espressivo (attacca) |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Piano Sonata No.16, in G Major, Op.31 No.1, ILB 177: II. Adagio grazioso |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Piano Sonata No.25, in G Major, Op.79, ILB 186: II. Andante |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Francesca da Rimini in E Minor, Op.32, IPT 39: I. Andante lugubre - Allegro vivo |
Leningrad Philharmonic Orchestra, Yevgeny Mravinsky |
TCHAIKOVSKY: FRANCESCA DA RIMINI, SYMPHONY No.6 "PATÉTIQUE"
|
Nar Classical |
| Piano Sonata No.27, in E Minor, Op.90, ILB 188: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Ein deutsches Requiem, in F Major, Op.45, IJB 28: I. Selig sind, die da Leid tragen.Ziemlich langsam und mit Ausdruck |
Concertgebouw Orchestra, Willem Mengelberg, Amsterdam Toonkunst Choir |
BRAHMS: EIN DEUTSCHES REQUIEM "A GERMAN REQUIEM"
|
Nar Classical |
| Piano Sonata No.28, in A Major, Op.101, ILB 189: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Symphony No.7, in A Major, Op.92, ILB 278: III. Presto |
Berliner Philharmoniker, Wilhelm Furtwängler |
BEETHOVEN: SYMPHONY No.5; No.7, CORIOLANUS OUVERTURE
|
Nar Classical |
| Ein deutsches Requiem, in F Major, Op.45, IJB 28: VI. Denn wir haben hie keine bleibende Statt.Andante, Allegro |
Concertgebouw Orchestra, Willem Mengelberg, Amsterdam Toonkunst Choir, Max Kloos |
BRAHMS: EIN DEUTSCHES REQUIEM "A GERMAN REQUIEM"
|
Nar Classical |
| Symphony No.7, in A Major, Op.92, ILB 278: IV. Allegro con brio |
Berliner Philharmoniker, Wilhelm Furtwängler |
BEETHOVEN: SYMPHONY No.5; No.7, CORIOLANUS OUVERTURE
|
Nar Classical |
| Piano Sonata No.28, in A Major, Op.101, ILB 189: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Symphony No.5, in C Minor, Op.67, ILB 276: IV. Allegro |
Berliner Philharmoniker, Wilhelm Furtwängler |
BEETHOVEN: SYMPHONY No.5; No.7, CORIOLANUS OUVERTURE
|
Nar Classical |
| Symphony No.7, in A Major, Op.92, ILB 278: II. Allegretto |
Berliner Philharmoniker, Wilhelm Furtwängler |
BEETHOVEN: SYMPHONY No.5; No.7, CORIOLANUS OUVERTURE
|
Nar Classical |
| Symphony No.6 in B Minor, Op.74, IPT 132: I. Adagio-Allegro non troppo |
Leningrad Philharmonic Orchestra, Yevgeny Mravinsky |
TCHAIKOVSKY: FRANCESCA DA RIMINI, SYMPHONY No.6 "PATÉTIQUE"
|
Nar Classical |
| Ein deutsches Requiem, in F Major, Op.45, IJB 28: V. Ihr habt nun Traurigkeit.Langsam |
Concertgebouw Orchestra, Willem Mengelberg, Amsterdam Toonkunst Choir, Jo Vincent |
BRAHMS: EIN DEUTSCHES REQUIEM "A GERMAN REQUIEM"
|
Nar Classical |
| Piano Sonata No.27, in E Minor, Op.90, ILB 188: II. Nicht zu geschwind und sehr singbar vorgetragen |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Piano Sonata No.25, in G Major, Op.79, ILB 186: I. Presto alla tedesca |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Piano Sonata No.32, in C Minor, Op.111, ILB 193: II. Arietta. Adagio molto semplice cantabile |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Piano Concerto No.2 in B-Flat Major, Op.83, IJB 83: III. Andante |
NBC Symphony Orchestra, Arturo Toscanini, Vladimir Horowitz |
BRAHMS: PIANO CONCERTO No.2; TCHAIKOVSKY: PIANO CONCERTO No.1
|
Nar Classical |
| Piano Concerto No.1 in B-Flat Minor, Op.23, IPT 74: II. Andantino semplice |
NBC Symphony Orchestra, Arturo Toscanini, Vladimir Horowitz |
BRAHMS: PIANO CONCERTO No.2; TCHAIKOVSKY: PIANO CONCERTO No.1
|
Nar Classical |
| Ein deutsches Requiem, in F Major, Op.45, IJB 28: IV. Wie lieblich sind deine Wohnungen.Mäßig bewegt |
Concertgebouw Orchestra, Willem Mengelberg, Amsterdam Toonkunst Choir |
BRAHMS: EIN DEUTSCHES REQUIEM "A GERMAN REQUIEM"
|
Nar Classical |
| Piano Sonata No.28, in A Major, Op.101, ILB 189: IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit. Allegro |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Piano Sonata No.24, in F-Sharp Major, Op.78 No.1, ILB 185: I. Adagio cantabile - Allegro ma non troppo |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
| Piano Sonata No.26, in E-Flat Major, Op.81a, ILB 187: III. Das Wiedersehen. Vivacissimamente (im Lebhastesten Zeitmasse) |
Walter Gieseking |
BEETHOVEN: PIANO SONATA No.16, No.24 "À THÉRÈSE", No.25 "ALLA TEDESCA", No.26 "LES ADIEUX", No.27, No.28, No.29 "HAMMERKLAVIER", No.32
|
Nar Classical |
